Victory or Fest!

A Comparison of Two World War 2 Shows

WW2 history buffs cups truly runneth over in early September, with two large shows dedicated to the subject taking place on subsequent weekends. The Victory Show ran from 4th – 6th and We Have Ways Fest on 11th-13th. As there has been much discussion and comparison of the two, as well as the fact that I have more free time than sense, I decided to attend both and see what all the fuss is about.

Let’s start with The Victory Show, located near the village of Corby, Leicestershire, and previously described as the “country’s largest WW2 battle re-enactment”.

The Victory Show site

Price: £25 per person for a basic ticket, with optional upgrade for access to a “VIP enclosure” with closer access to the aircraft, better toilets, souvenir brochure and free soft drinks.

The site: 4 huge fields split into different zones, one set aside for the large scale battle reenactment, one for a militaria/vintage market and food and drink area, with the two remaining dedicated to camps for living history displays, one featuring “dug in” positions and vehicles and the other a more usual reenactment encampment. Between them lies a wooded trail also featuring additional reenactors in a more up close setting, recreating “9 Days at Arnhem.” To the side, a runway for the vintage aircraft landing and taking off from the event.

Timetabled displays: A cursory glance at the website didn’t have any kind of actual timetable for any of the shows or displays on offer, with only a note buried in the FAQs section advising there isn’t one! There would however, be a battle that would begin at about 2:45 (approx!) and the rest would be subject to change due to weather conditions for the aircraft. Understandable, but not necessarily helpful.

A small sign at the entrance to the wooded area advised there would be 2 smaller battles,as a recreation of part of the battle of Arnhem. This was loud, with lots of gunfire and shouting, but given restricted access due to its location and safety requirements, it was quite difficult for anyone who wasn’t immediately at the front to see what was happened, coupled with commentary being provided by someone with a megaphone trying to shout over the chaos, it was difficult to hear what was being described as well. 10 out of 10 for effort and I’m sure it was cracking fun to take part in, but a bit more thought for the spectators would be useful.

The woods battle “9 Days at Arnhem”

Later in the afternoon was the main event, the full scale battle. This was truly a visual spectacular, being kicked off with massive pyrotechnics simulating an artillery strike, followed by tanks moving into position and firing at each other, planes taking off and circling the arena, troops advancing through the smoke of the now partially on-fire battlefield, the full works. Thrilling stuff, but suffering from a similar fault to the smaller battle, in that the commentary was barely audible over the racket going on nearby and suffered serious capital M capital H Military History, with lots of details about the precise model of and number of sprockets on a passing half track rather than describing or providing context for what is happening. Something about bocage and Operation Cobra…

The fiery main battle

Living history camp: One of the key draws to the Victory Show is its large number, variety and spectacle of its living history/reenactment displays. As a mediaeval and occasional WW2 reenactor this was somewhat of a busman’s holiday. There was a good variety of different displays of both Allied and Axis units, some with typical “stuff on a table” fare, others more involved and interactive with the public.

Reenactors portraying British troops on the Italian front
And their opponents (with impressive hats!)

Aircraft: I’m not an aviation buff so a lot of the finer details went over my head, but there was a good selection of wartime aircraft taking off, circling and landing at the site, with commentary explaining a little about each plane, their technical specifics and their history. In one instance due to having matching numbers of the same kind of aircraft, a reenactment of one of the last dogfights of the war was staged. Once the aircraft were safely on the ground there was the opportunity to get up close to them, though only a few had information boards or similar to describe them.

Dakota taking off from the on-site airfield

Talks: Due to time limitations I was unable to attend any of the small number of timetabled talks that were on offer. They did however cover a broad range of topics, delivered by well regarded subject matter experts. All had a supplementary charge of £4 each. From post event photos and social media posts, these seem to have been well attended and well received.

We Have Ways Fest

We Have Ways Fest meanwhile is the tie-in festival for the popular Second World War history podcast We Have Ways of Making You Talk, hosted by historian James Holland and comedian Al Murray, held at Blackpit Brewery, Silverstone.

I could only attend for one day of the three on offer (not including the new for this year Festival Fringe event put together by enthusiastic attendees on the Thursday set up day) and it was raining heavily, reducing some of the “outdoor” activities.

Just part of the We Have Ways site

Price: Between £80-£100 for a one day ticket, with a full 3 day pass available for £215. Plus booking fee and additional costs for camping, glamping and spa sessions (?).

The site: Also 4 huge fields. 2 of them just for the car parking and camping space to accommodate the sheer number of visitors. In the other two, a vast array of tanks, military vehicles, living history encampments and tents as far as the eye can see. And some of the tents are big. Exhibition hall big. But we’re getting ahead of ourselves. Also off to the side is another wooded area to accommodate more living history groups and their vehicles, this time portraying the SAS in northern Europe, as part of an interactive display. As well as all this is a large arena, well churned up by the tracks and tires of the previous few days sits off to the side and dotted around are a number of concession stands, seating areas, a bar and an indoor area for talks and displays unsuitable for the outdoors.

Timetable: In comparison to Victory Show this is where WHWFest shines. Almost every detail of every event taking place on site is meticulously displayed on the festival website, including different tents, talks, individual speakers times, the aircraft displays and the shows in the arena. All perfectly clear, well laid out and published with plenty of notice for visitors to plan out their day.

Talks: WHWFest is all about the talks. All the talks, all the time. This is the main focus of the festival, in keeping with its origin as a podcast to discuss various aspects of the Second World War, sometimes just between the two hosts, often with specialist guests to delve into particular topics in greater detail.

A packed tent for James Holland and Marc Milners talk “Use the fleet!”

With appropriately wartime names, “the HQ” “Briefing” “Arsenal” and “ENSA”, the tents that host these form the heart of WHWFest. HQ and Briefing being the home of the big, show stopper talks with big name historians and celebrities discussing topics as wide ranging as James Holland and Jonathen Fennell on when and how the Second World War actually started to Al Murray and James May discussing their love of Airfix models. The Arsenal meanwhile hosts a smaller, up close and personal space for new, up and coming historians and speakers to present on their niche topics, like Molly Wilson’s excellent and engaging talk on Secret Submarines. ENSA, appropriately, provided live music throughout the festival and also occasionally an extra venue for speakers talks.

Molly Wilson describes the plan for a secret submarine escape

Living History: As well as talks, WHWFest also hosts top class Second World War living history by some of the best groups and performers in the country. Though only focussed on Western Allies and Soviet displays (no Axis allowed!). With the increasingly heavy rain dampening play I didn’t spend much time here compared to the Victory Show but there was a good range of displays and vehicles on offer with interaction with the few visitors willing to risk the weather. No battle as such this time, but there was the opportunity to see the tanks and vehicles moving and firing in the area, with a (LOUD) artillery firing demonstration to close off the event. Also in attendance were historical performers History Maker and Wizzo’ Rip Roaring History both with their popular and entertaining Second World War themed shows.

The battle of Taranto (and torpedo)

Aircraft: Rather than flying in, landing and then forming part of the site vehicle displays, WHWFest had fly-bys from the Battle of Britain Memorial Flight, that is aircraft that would appear, circle the site and then depart. These were smaller in number than at Victory Show but their arrival more clearly timetabled and advertised. The Saturday show also included a parachute drop.

The Community: Where WHWFest truly shines is the sense of community. Despite the size of the event and number of visitors, it feels as if everyone knows each other, and even if you don’t, you soon will. Friends from opposite sides of the country, and increasingly the world, who have not met since the last festival greet each other like it was just last week. There’s catchphrases and in-jokes galore! A whole system for showing new, unfamiliar visitors around has been set up. People can’t get enough, to the point where a festival fringe event has been set up to keep the spirit of the festival going for a whole extra day! I’m sure the Victory Show has its regular attendees and followers, but it was nothing like the one on display at WHWFest.

Given their similar themes and proximity, both in terms of time and location, much has been made of the ticket price for WHWFest. It is more than quadruple that of its counterpart a week earlier, even without the extras. However, you do very much get what you pay for. The two shows are really a mirror image of each other and the clue is very much in the names. The Victory Show is just that, a show. A large-scale reenactment event, with lots of things on display and mock battles taking place, both on land and in the sky. We Have Ways Fest meanwhile is a festival, a Glastonbury for fans of We Have Ways of Making You Talk and its hosts, its guests and its spirit. What’s not to like?

A trip to Lud’s Church

New Years Day in the Peak District

Yesterday I made my annual New Years Day trip to Lud’s Church, a dramatic natural rock formation high in the Staffordshire peak district. New Years Day holds special significance for this mystical and uncanny place, as that is the date upon which the Green Knight, the giant warrior of Arthurian legend issues his challenge at the court of Camelot and the date Sir Gawain arrives at the Green Chapel to answer it a year later.

Lud’s Church has long been identified as the inspiration for the Chapel, with the only surviving manuscript of Sir Gawain and the Green Knight being produced by monks at the nearby Dieulacres Abbey. Armed with a copy of JRR Tolkien’s modern English transcription/translation of the Gawain poem, I set out to match the place to the words of the medieval epic.

“Then he (Gawain) put spurs to Gringolet (his horse), and espying the track, thrust in along a bank by a thicket’s border, rode down the rough brae right to the valley; and then he gazed all about: a grim place he thought it, and saw no sign of shelter on any side at all”

“Only high hillsides sheer upon either hand, and notched knuckled crags with gnarled boulders; the very skies by the peaks were scraped, it appeared.”

“Then he halted and held in his horse for the time, and changed oft his front the Chapel to find. Such on no side he saw, as seemed to him strange, save a mound as it might be near the marge of a green, a worn barrow on a brae by the brink of a water”

“Beside falls in a flood that was flowing down; the burn bubbled therein, as if boiling it were”

“Then he went to the barrow and about it he walked, debating in his mind what might the thing be. It had a hole at the end and at either side, and with grass in green patches was grown all over”

“All hollow within: nought but an old cavern, or a cleft in an old crag; he could not it name aright. ‘Can this be the Chapel Green, O Lord?’ said the gentle knight. ‘Here the Devil might say, I ween, his matins about midnight!’”

“On my word,’ quoth Gawain, ‘’tis a wilderness here! This oratory looks evil. With herbs overgrown it fits well that fellow transformed into green to follow here his devotions in the Devil’s fashion.”

“This is a chapel of mischance, the church most accursed that ever I entered. Evil betide it!’ With high helm on his head, his lance in his hand, he roams up to the roof of that rough dwelling. Then he heard from the high hill, in a hard rock-wall beyond the stream on a steep, a sudden startling noise. How it clattered in the cliff, as if to cleave it asunder, as if one upon a grindstone were grinding a scythe!”

“And then he climbed past a crag, and (the Green Knight) came from a hole, hurtling out of a hid nook with a horrible weapon: a Danish axe newly dressed the dint to return, with cruel cutting-edge curved along the handle – filed on a whetstone, and four feet in width, ’twas no less – along its lace of luminous hue; and the great man in green still guised as before”

“’Gawain,’ said that green man, ‘may God keep thee! On my word, sir, I welcome thee with a will to my place, and thou hast timed thy travels as trusty man should, and thou hast forgot not the engagement agreed on between us”

My Hussar Stunt Part 1: The Cave of the English

I had come to Crete to retrace the steps of the author and secret agent Patrick ‘Paddy’ Leigh Fermor during his mission to abduct the German commandant of the island during the Second World War. I had stumbled across this story during my very first trip to the island, while visiting the Historical Museum in Heraklion. 

There an information board recounts the efforts by Paddy and other agents of the Special Operations Executive to infiltrate the island, disguise themselves as German soldiers, seize the commandant (by the time the mission actually went ahead, one Major-General Heinrich Kreipe), whisk him away through the night bundled into the back of his own staff car, then a daring trek to freedom across a mountain range to a waiting submarine in a concealed bay, all while being hunted by the German garrison who wanted their general back. The agents involved referred to it as their adventure, the general as a “hussar stunt”.

It’s a true Boy’s Own adventure, and I was fascinated. Upon my return home, I immediately set to researching as much as possible about this mission and these men. A few trips to the National Archives, the Imperial War Museum and the National Library of Scotland later, along with consultations with other like minded individuals and I’d built up a pretty decent understanding of the mission and the personalities involved (even if I do say so myself), but one question remained. What was it actually like to do this? I knew the timeline of events from the formal reports of the mission, I knew the escape route from Paddy’s hand drawn maps and I knew the conditions the SOE agents and their Cretan allies lived in from the brief diaries and accounts they have left. But what was it like?

With 2024 being the 80th anniversary of the operation, I resolved to find out. Nowadays there is a distinct lack of German commandants in Crete and it would probably be frowned upon to kidnap one even if there were any, but I could still walk along the routes the mission took and see the things they saw, as much as modern development (and my annual leave) allowed. Early February marks the arrival of Paddy via parachute jump into the remote Katharo plateau in the eastern part of Crete, then taking shelter in a nearby cave hidden amongst a forest of cypress trees while arranging the rest of the mission. Having found the rough location of the cave (apparently still known as “the cave of the English” and appearing as a waypoint on published hiking trails) and the precise coordinates of the parachute landing zone from the RAF’s flight records, it would be (in theory at least) a relatively easy hike from one to the other within the same day. I booked my tickets and was away!  

Due to the lack of direct flights in February I sadly, tragically, unfortunately had to spend a day in Athens, before boarding a Minoan Lines ferry, the “Festos Palace”, to Crete, arriving in Heraklion harbour just after dawn broke and pierced the late winter clouds.

A quick trip to the Historical Museum to be reunited with the information boards that had sparked this whole expedition and the Archaeological Museum (almost deserted apart from a clutch of diehard tourists and the skeleton staff, an unusual sight when every other time I had been it was packed to the rafters with huge queues), then it was off, by bus, to Agios Nikolaos (Saint Nicholas), famous for its fresh water lake like a great blue eye at its centre, and the closest large town to where this part of the mission took place. 

I checked into my hotel, the Nine Muses (it would be a lie to say the name hadn’t played a significant factor in my choice of accommodation), a small but comfortable place with windows and balconies doors opening to a breathtaking panorama of what the Venetians had named the Mirabello, aptly, the “beautiful view” and the islet of Agioi Pantes. After a brief foray to a supermarket for last-minute supplies, I attempted to settle in for an early night. Sleep, however, proved almost impossible due to excitement and trepidation at the adventure to come. 

I woke early to make sure that I had plenty of time to make it to the station for the bus to Kritsa, a village on the bus route closest to both the cave and the parachute landing, yet still managed to almost make myself late by agonising over how many spare jumpers and emergency changes of socks to pack, change my mind and then repack (as it turned out, too many of one and not enough of the other). Bustling through the still sleeping town, I arrived just in time to purchase my ticket and catch my breath before the bus, a full sized coach and I the only passenger, emerged around the corner of the station depot. No turning back now!

The bus journey took only a few minutes (compared to the few hours of walking), and I was sudden in the centre of Kritsa,a picturesque little town, with many narrow streets built up on top of each other, with squares for shops and tavernas mixed in between, connected by winding tunnel-like passages. There were several churches, and as it was a Sunday, plenty of elderly parishioners on their way to the morning service. The largest church, Agios Giorgios (Saint George), was more like a small cathedral, its dome dominating the skyline of the north side of town. Outside was an icon of the saint and a small collection box. I am not in any way religious, but given the occasion and the nature of the task ahead, I popped in a few spare coins, hoping the saint was in a good mood and would keep an eye on me anyway. 

A set of concrete stairs on the very edge of the village led onto the long, meandering and convoluted tarmac road onwards and upwards to Katharo, and there was nothing more to do for now but push on and admire the view. Ahead the mountains, covered in snow, seemingly distant yet also looming over me. Behind, a spectacular view of Kritsa and the entire valley all the way down to the Mirabello, the Sea of Crete glittering in the clear sunlight.

It was a glorious day of clear blue sky and warmth despite being so early in the year and going proved slower than expected, mainly due to having to stop and take in the view, hardly believing that this is a real place, and also to avoid the hidden goats springing themselves out of the roadside undergrowth at exactly the right time to emerge directly into the path of the occasional car.

After about an hour of walking I had reached the first waypoint I had marked on my map, a dusty trail departing from the main road and a hand painted sign in the shape of an arrow pointing me towards the “Old Path to Katharo Plateau”.

A very dramatic, almost cinematic trail stretched out with snow-covered mountains on one side and a cypress forest clinging to the foothills directly in front of me, though far distant. Long and undulating, the trail passed quickly, with herds of curious goats and the clinking of their bells for company.

The trail gradually began to slope down into a valley, gnarled and ancient trees gradually getting thicker and thicker as the scrubby land gave way to the forest proper.

It then started to peter out at the valley floor, itself what appeared to be a large dried up river bed, with innumerable rocks, from small pebbles to vast boulders, frozen in their march towards the sea (the riverbed turned out to be that of the Kálos Potamós, which emerges further along the valley and flows back down through Kritsa and then onto the Mirabello).

With the trail coming to an end it was time to put my research to the test and find out if the hiking app that has the cave as a way point as part of a larger trek is accurate and I’m not going to be aimlessly wandering the woods.

 After a few minutes exploring the riverbed and valley floor to get my bearings, I continued along the last dying gasps of the trail, now going up the other side of the valley, little more than the ruts and potholes left behind by 4x4s that had passed through. Such a vehicle, a pickup, was a short way along, and I would soon be introduced to the owner. The trail finally gave up the ghost at a wide clearing strewn with rocks, goats and sheep grazing amongst them. 

Out of the corner of my eye, I suddenly noticed the presence of a human figure, rising from where they had been bending down tending to the goats. We spent a moment just staring at each other in surprise, not quite sure we were actually seeing what we were seeing, before I called out my cheeriest “Hello!” and waved. Quickly double checking the post it-note of useful Greek I had taped to the back of my phone (as though I haven’t rehearsed it a dozen times over already) I followed up with “Spilia ton Anglon? (Cave of the English?)”. The figure, a man dressed in mismatched camo, clearly a shepherd, approached closer to get a good look at me. He looked me up and down, sighed and in a rough voice said “come here” and gestured for me to follow. 

It would be a cliche to say he bounded across the rocks as nimbly as one of his goats. That is exactly what he did, as I struggled to simultaneously keep up and maintain my balance following his path. He paused in the centre of the clearing and pointed up, and up, and up at an alarming angle, towards the valley side and the mountain that loomed above it. Up close, he had a round, kind face, skin darkened by working under the Mediterranean sun, pure black hair buzzed extremely short, with several teeth on the right side of his mouth missing. 

He gesticulated back and forth between the valley side and a nearby rock, tracing patterns with his hands as he went. Both hands held fingers towards each other and curved – a roof? A hill? Then three fingers placed flat down. The logs/branches that I had seen photos of that indicate the mouth of the cave? He was clearly describing the cave! I was on the track! He could not speak enough English nor I enough Greek to properly talk, but I thanked him as best I could, then we turned back to our respective tasks. Continuing on through the goat field, the terrain amongst the trees becoming rougher and the slope steeper. The orange soil giving way more and more to bare grey rock and the hike more and more into a clamber, with the slope in some places so steep I had to grab on to every available rock and branch to haul myself up the side of the valley.

A misplaced step, a trip and a shower of pebbles cascading down, caused me to stop and wonder, as I supported my entire weight with one hand on a incredibly uncomfortable rock, if this may have been a bad idea, but the map app was showing I was within striking distance of the cave, and trying to get back down at this point would probably be more dangerous than pressing on. Plus, the view was becoming increasingly spectacular!

Towards the middle of the valleyside the slope levelled out a tad and reverted back to being a hike, albeit one at great height and an almost sheer drop to one side, with the formations of the rocks creating a new trail upwards, with the occasional rift to squeeze through or boulder to be awkwardly vaulted.

These crags, in turn, gave way to a large open plateau, flanked by trees that now have space and soil to grow in abundance. Pushing across, I became aware of patches of frost still clinging to the shadows and amongst the rocks.

Now back into the forest proper, according to the map I was now almost directly on top of the cave and, matching the shepherds directions, the ground to the left side of the plateau was forming a low mound, distinct even amongst the trees and rolling landscape all about. Like Gawain searching for the Green Chapel, I looked all about, trying to match what I could see with the photos I had found from others who had been there before. Then, suddenly, there it was, I had very nearly walked past it!

A jagged cleft in the earth, with three logs placed across to form a roof and darkness beyond it. This was the place! The place Paddy and his comrades had sheltered, from the elements and from the enemy.

Carefully lowering myself down the rocks that formed natural steps and crouching to avoid the low dividing rock that formed a corridor downwards, shon my torch to get a good look at the interior.

The interior of the cave was roughly circular, about 10 meters across. To the left-hand side, about half the cave floor was flat, forming a ledge where a few men could comfortably sit, huddled together, or a radio set and its equipment could be set up. To the right, a slope depending into a jumble of rocks and bones, all slick from the constant drip from above. All around, the walls and ceiling were thick with mineral formations and stalactites. All in all, the very image of a cave from some romantic adventure story.

Emerging back into the sunlight, it was time for some lunch and to take stock. This was a nice little jaunt in the lovely sunshine with a nice hotel to return to, via taxi if things got too bad. But to live like this, for months and years at a time, having to scramble across this sort of terrain to avoid a merciless enemy and no one coming to help you? Even the cave, while interesting, was cold and damp, and though friends, fire, wine and song could have made things more comfortable, it would still be a miserable place to spend a winter, as Paddy, the other SOE agents sent to Crete and the Cretans themselves had done.

The strength and toughness, physically and mentally, of all these people, to continue to fight for their freedom in such conditions must have been incredible.

Though I had spent hours reaching the cave, I could only a spend a short time there, as the day was only half done and I had to move on to my next target, the drop zone, and it was a long way back down as well. Bidding farewell to the cave and a small herd of inquisitive goats who had gathered to see what I was up, I checked my map and deciding that trying to climb (more like tumble) down the slope I had barely managed to scramble up, was not in my best interests, opted for a longer though gentler route back to the trail head, via the dried up river.

Once out of the bulk of the trees and the off the hill, I came across a long, rectangular clearing, picked out with snow? Could this be “the front drive” Paddy refers to when briefly describing the cave in a wartime letter?

The river bed was a much easier hike than the way up, mainly being an exercise in following the natural path cut into the valley, and lowering myself down from one layer of rocks to the next, trying to find  a spot where it was not too high and perilous to do so. 

I was soon back where I started, the valley floor where the river bed met the end of the trail from the main road. I did think to quickly dash back up the slope to see if I could find the shepherd and somehow tell him I had found the cave thanks to his help, but time was pressing on, it was by now mid afternoon and despite the lovely clear blue skies and sunshine all day, it was still early February and darkness and cold would be fast approaching. Back up along the trail, back to the hand painted sign and on my way, once again upwards to Katharo.

I still had a long way to go to reach Paddy’s landing zone, the road was steep and clouds were starting to gather…

Back to Edinburgh!

A moody Edinburgh castle

Just on the way back from another really productive trip to the National Library of Scotland in lovely Edinburgh. Updates and actual content coming soon!