A trip to Lud’s Church

New Years Day in the Peak District

Yesterday I made my annual New Years Day trip to Lud’s Church, a dramatic natural rock formation high in the Staffordshire peak district. New Years Day holds special significance for this mystical and uncanny place, as that is the date upon which the Green Knight, the giant warrior of Arthurian legend issues his challenge at the court of Camelot and the date Sir Gawain arrives at the Green Chapel to answer it a year later.

Lud’s Church has long been identified as the inspiration for the Chapel, with the only surviving manuscript of Sir Gawain and the Green Knight being produced by monks at the nearby Dieulacres Abbey. Armed with a copy of JRR Tolkien’s modern English transcription/translation of the Gawain poem, I set out to match the place to the words of the medieval epic.

“Then he (Gawain) put spurs to Gringolet (his horse), and espying the track, thrust in along a bank by a thicket’s border, rode down the rough brae right to the valley; and then he gazed all about: a grim place he thought it, and saw no sign of shelter on any side at all”

“Only high hillsides sheer upon either hand, and notched knuckled crags with gnarled boulders; the very skies by the peaks were scraped, it appeared.”

“Then he halted and held in his horse for the time, and changed oft his front the Chapel to find. Such on no side he saw, as seemed to him strange, save a mound as it might be near the marge of a green, a worn barrow on a brae by the brink of a water”

“Beside falls in a flood that was flowing down; the burn bubbled therein, as if boiling it were”

“Then he went to the barrow and about it he walked, debating in his mind what might the thing be. It had a hole at the end and at either side, and with grass in green patches was grown all over”

“All hollow within: nought but an old cavern, or a cleft in an old crag; he could not it name aright. ‘Can this be the Chapel Green, O Lord?’ said the gentle knight. ‘Here the Devil might say, I ween, his matins about midnight!’”

“On my word,’ quoth Gawain, ‘’tis a wilderness here! This oratory looks evil. With herbs overgrown it fits well that fellow transformed into green to follow here his devotions in the Devil’s fashion.”

“This is a chapel of mischance, the church most accursed that ever I entered. Evil betide it!’ With high helm on his head, his lance in his hand, he roams up to the roof of that rough dwelling. Then he heard from the high hill, in a hard rock-wall beyond the stream on a steep, a sudden startling noise. How it clattered in the cliff, as if to cleave it asunder, as if one upon a grindstone were grinding a scythe!”

“And then he climbed past a crag, and (the Green Knight) came from a hole, hurtling out of a hid nook with a horrible weapon: a Danish axe newly dressed the dint to return, with cruel cutting-edge curved along the handle – filed on a whetstone, and four feet in width, ’twas no less – along its lace of luminous hue; and the great man in green still guised as before”

“’Gawain,’ said that green man, ‘may God keep thee! On my word, sir, I welcome thee with a will to my place, and thou hast timed thy travels as trusty man should, and thou hast forgot not the engagement agreed on between us”

Thomas Babington and Edith Fitzherbert, All Saints Church, Ashover.

Over the bank holiday weekend I paid a visit to All Saints Church in Ashover, Derbyshire to look at the effigies of Thomas Babington and Edith Fitzherbert.

The Babingtons and Fitzherberts were both Derbyshire gentry families, the Babingtons serving as the High Sheriffs of the county and the Fitzherberts as knights and MPs. As befitting their status, Thomas and Elizabeth have memorial effigies in alabaster, with detailed carving depicting both of them in their finery at prayer and surrounded by miniatures of their children.

Along with other effigies in this style and status, such as those of Edith’s parents in Norbury, most of the children are each show with individual clothing and accessories, though some duplicates are thought to representative of children who died.

One set of miniatures portrays two of their sons, John as a knight, his armour covered by a tabard and a black cloak of the Knights of Rhodes, and Thomas as a priest in robes and a holding a book.

Returning to Thomas and Edith themselves, unusually both effigies are painted, though clearly modern coatings over the original. Though this would have been common when new (many effigies still have traces of paint in the recesses), these effigies serve as a reminder of how bright, even garish, the medieval world would have been.

The details of the couples dress accessories are particularly interesting. In addition to the long gowns of the period, both are wearing jewellery and decorative pieces. Thomas has a chain collar, rings, a decorated purse/pouch and the remains of a sword or dagger.

Edith meanwhile has rings and a decorated hanging chain belt or girdle, possibly ending in a scented pomander, the height of fashion for the time.

Additionally, Thomas and Edith possibly appear twice on their own memorial, as two miniatures kneeling before images of saints (Catherine holding her wheel and a bishop, possibly Thomas Becket) seem to be wearing almost identical clothing.

Other wonderful details include the lion Thomas is resting his feet upon and the tiny dog biting at the bottom of Edith’s gown, a recurring theme apparently in this kind of effigy.